PDF Ebook Barbarians on Bikes: Bikers and Motorcycle Gangs in Men's Pulp Adventure Magazines (The Men's Adventure Library), by Robert Deis Wyatt Doyle
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Barbarians on Bikes: Bikers and Motorcycle Gangs in Men's Pulp Adventure Magazines (The Men's Adventure Library), by Robert Deis Wyatt Doyle
PDF Ebook Barbarians on Bikes: Bikers and Motorcycle Gangs in Men's Pulp Adventure Magazines (The Men's Adventure Library), by Robert Deis Wyatt Doyle
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About the Author
Robert Deis has worked as a teacher, an artist, a musician, a logger in the Maine woods, a magazine writer and a state government bureaucrat.Eventually he fell into a long-lasting career as a political consultant. Nowadays, he blogs and writes about things that interest him, such as famous quotations and men's adventure magazines. He created MensPulpMags.com, and co-founded The Men's Adventure Library. His books include Weasels Ripped My Flesh!, He-Men, Bag Men, & Nymphos, and A Handful of Hell.Writer Wyatt Doyle is co-founder of New Texture, launching their publishing imprint in 2006. He assisted Georgina Spelvin in the publication of her memoir, The Devil Made Me Do It, and served as editor and publisher of Black Cracker by Josh Alan Friedman for his own imprint, Wyatt Doyle Books. He is co-founder, editor, and designer of The Men's Adventure Library series. A collection of Doyle's stories illustrated by Stanley J. Zappa, Stop Requested, is available from New Texture, as are his photography collections, Dollar Halloween and I Need Real Tuxedo and a Top Hat! Doyle curates the New Texture website, as well as Josh Alan Friedman's Black Cracker Online and Rev.Raymond Branch's RevBranch.comNovelist, screenwriter, and television personality, Paul Bishop spent 35 years with the Los Angeles Police Department where he was twice honored as Detective of the Year. He continues to work privately as a deception and interrogation expert. His fifteen novels include five in his LAPD Homicide Detective Fey Croaker series. His latest novel, Lie Catchers, begins a new series featuring top LAPD interrogators Ray Pagan and Calamity Jane Randall.
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Product details
Series: The Men's Adventure Library (Book 5)
Paperback: 116 pages
Publisher: New Texture (September 2, 2016)
Language: English
ISBN-10: 1943444153
ISBN-13: 978-1943444151
Product Dimensions:
8.5 x 0.3 x 11 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#939,349 in Books (See Top 100 in Books)
I'm a biker. Have been all my adult life. Anyone who understands the meaning of the word can tell you that bikers are different from non-riders, AND from the majority of motorcyclists - literally a tribe unto ourselves, with our own culture, mores and lore, even our own language. The history of bikers has always fascinated me for the same reason the history of Texas and of Ireland and its diaspora fascinate me - because these are my people. I am who I am because they were who they were.Odds are bikers have been around just as long as motorcycles have, but our tribe really came into its own, and to the public's attention, in the late ‘40s and early ‘50s. Our fathers and grandfathers had defeated the Axis powers, at an ungodly cost on all sides. The majority of our war-weary nation just wanted to settle down and start breeding gaggles of Baby Boomers. It was an era of tract homes and suburban sprawl, when conformity was highly prized and rewarded.At the same time, however, in inner cities and working-class neighborhoods across the country, bikers were coalescing into a visible, markedly distinct subculture. As a group and as individuals, they tended to stand out in almost any crowd, and in the environment of the day – hostile as it was to the non-conformist – standing out was a good way to get picked off.Unfortunately, we all know THAT hasn’t changed much. Just ask any person of color, any Jew or Muslim, anyone who's gay or gender-fluid or trans, any gaming geek or bookworm, anyone who is mentally challenged or physically disabled or just “funny-looking.†Being different is NOT acceptable. Standing out – hell, in most cases just standing UP – makes you a target of those forces most likely to enforce conformity, including (but not limited to) parents, school administrators, religious leaders and, of course, the cops and the press. In the case of bikers, cops chased and hassled and antagonized the bikers, and then told gullible reporters how dangerous bikers were, and how heroic the cops themselves were for saving their community from the two-wheeled menace.As a result we've gotten a lot of bad press over the years. Every news outlet from Life, Time and The Nation to the daily newspapers of most American cities carried stories about big bad bikers who were A) taking over small towns, B) running amok even to the point of assaulting law enforcement officers (a rare occurrence in those days, to judge by reports) and C) corrupting virtuous young women. Men’s adventure magazines – known here as MAMs, and the source for images in this book – were the tabloid press of their day, and they seized on the biker phenomenon with both hands. It was pure gold to them, and they mined it feverishly.This exposure naturally impacted the general population’s view and understanding of bikers – who and what these guys were. Even people who didn’t read men’s magazines were drawn to the lurid cover art and blaring headlines, most of which, it must be noted, include elements of violence, rape and sexual deviancy. Those elements (always good for selling newspapers and magazines) also became identifying elements of the biker’s persona. Viewed through the lens of men’s magazines (and to a lesser extent the legitimate press) these guys who called themselves “bikers†were branded with a stereotype – they were all big, brutish guys who drank too much, rarely bathed, beat up innocent passersby just for kicks, and had sex – consensual or otherwise – with anything breathing. Later iterations of this story-telling made us into contract killers and drug kingpins, too.Entire books and doctoral dissertations have been written about the “call-and-response†symbiosis between bikers and the press as media attention on our tribe grew more heated – how at the same time media was reporting on bikers, and impacting the public's view of bikers, its reports were also impacting the bikers’ view of themselves and their relationship with the world. Hunter S. Thompson described it in his seminal work, Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (Random House, 1966). “The Angels were beginning to view their sudden fame as a confirmation of what they had always suspected: they were rare, fascinating creatures (‘Wake up and dig it, man, we’re the Texas Rangers’).†(pg. 57)The artwork which is the focus of this book, and the articles for which this artwork was commissioned, were part of the “sudden fame†Thompson references, and in Barbarians on Bikes editors Robert Deis and Wayne Doyle have done a masterful job of amassing the best of that art into a large-format volume of (mostly) high-quality reproductions. I say “mostly†because numerous images originally published in two-page magazine spreads appear here on a single page. Too much detail is lost when artwork is reproduced at one-fourth (or less) its original size.In addition to that, I would offer the editors several suggestions which might improve a second edition, if one ever appears. First, arrange the images in chronological order, making it easier to see how the MAM’s view of the biker phenomenon progressed over the years. Second, timeline major events in biker history (e.g. the Monterrey rape arrests, the Oakland Hells Angels assault on marchers protesting the Vietnam War, the formation of clubs like the Mongols and Bandidos, the killing of gunman Hunter Meredith at Altamont in 1969) with the covers published around those events, which would offer historical context. Finally, and best of all, reprint the articles themselves. We get snippets here, where the artwork decorates the first pages of a particular article, but not entire articles. It’s like finding pages have been torn from the book you’re reading!Those niggling grievances aside, I’m glad this book is available, and I would recommend it to anyone crazy (like me) about bikes and bikers, the media, pulp art or magazine illustration in general, history and/or pop culture of the 1950s, ‘60s and ‘70s. You won’t be disappointed!Sláinte!
Men's Adventure Magazines (MAMs) were birthed just about the same time as the first motorcycle gangs began touring the US. An odd sort of cross-fertilization began where the barbarians of the road became malevolent thugs on magazine covers which in turn fueled the image of outlaw bikers in so many exploitative films of the 60's and 70's! Men's Adventure Magazines withered off to extinction when I was a child. Just as the magazines have passed on, so has their version of biker gangs. Though biker gangs still, of course, exist, their deadly days of Altamont and lawless mayhem are largely things of the past. Robert Deis takes us on a wonderful romp through the heyday of Men's Adventure Magazine glory. Noted is the date of the article or cover, the name of the artist, and which magazine it ran in.Some of the art appears more than once because unscrupulous publishers would reuse articles and images. All of the reproduced covers are related, in some way, to bikers or motorcycles (Although there is one European Vespa scooter in the mix!) At times amusing, other times flat out raunchy, the content has to be seen to be believed. The cover artists were, without exception, highly talented professionals who produced truly beautiful work.Men like Deis have very specific hobbies. Sometime's those hobbies produce wonderful cultural artifacts such as this. Reproduced full size and in color where warranted, this tome is obviously a labor of love. Adding color and richness are reproductions of the title pages and accompanying illustrations of the various articles and exposes these sorts of magazines were noted for. A great gift for you bike riding friends or for yourself.
I'm a fan of all the "Men's Adventure Magazine" anthologies that Robert Deis and Wyatt Doyle have put out, and I have to say that this new one just might be my favorite so far. What sets this volume apart from all the others – besides its specialization on the Motorcyclist Menace – is that this book is all about the artwork as opposed to the "texts" of the men's adventure mags of the 1950s-70s. It's just page after page of deliciously lurid sweaty violent sexual completely over-the-top pulp art, most of it in fabulous full-color. About half of the art is cover illustrations, and the rest is beautiful "interior" art, some of the latter in duotone. If you're an aficianado of classic pulp art you'll be happy to know that many of the big boys are included here: Gil Cohen, Bruce Minney, Earl Norem, Samson Pollen, Mort Künstler, Basil Gogos, Charles Copeland, Victor Olson, Al Rossi, and on and on. So pull on your stinking old colors, rev up your chopper, and ride!
How cool is this? Maybe too cool for you, brother. My pal Bob Deis and his crew have put together this boss album of covers and interior art from those magazines your dad hid in the garage. Loaded with awesome art by Earl Norem, Gil Cohen, Mort Kunstler and others. Take a trip along the psychotic underbelly of 60s zeitgeist.
Awesome! Fun! Hide when they come to town looking for kicks!
Really injoyed this book as welll as every other book in the extended library, well worth it with all the books. High recommendation.
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